One scene in which realities intersect is Scene Eight, in
which Elliot and Yazmin communicate with Orangutan on Odessa’s website. In this
scene, Elliot logs into Haikumom’s account and antagonizes Orangutan after
impersonating Odessa. Orangutan then reveals Elliot’s addiction to pain
medication, which shocks Yaz. This interaction ends when Elliot abruptly unplugs
the computer. Not only does this scene feature intersecting story lines but
intersecting realities as well. Here we see Elliot and Yazmin, previously in
the realm of physical reality, insert themselves into the addicts' cyber
reality.
This scene operates in terms of the central motif of
dissonance in several ways. First, this scene is the first time that Hudes
explicitly discusses Elliot’s addiction, introducing discord into his
relationship with Yaz. In addition, this incident further disturbs Elliot’s
peace, evident in his rough handling of the computer. After Elliot ends the
conversation on the website, Hudes states in the stage directions on page 59, “He throws the keyboard on the ground. He
starts unplugging cables violently.” Elliot’s actions indicate the
dissonance that will follow.
Dissonance is also evident in the consequences of this
moment. After Elliot unplugs the computer, he directly refers to the Ghost on
page 59 when he says, “That’s when he came, and some days I swear he ain’t
never gonna leave.” As a result of his interaction with the cyber reality, he
acknowledges an element of his spiritual or psychological reality. Almost
immediately, the Ghost appears and blocks Elliot’s exit, further invading his
physical world. The collision of worlds (and Elliot’s open acknowledgement of
this phenomenon) is a sort of dissonance in itself. In other words, Elliot’s
interaction with the cyber reality prompts more collisions between worlds,
physical and psychological.
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